To Was or Not to Was

To Was or Not to Was

Like other writing coaches, I have often called out the use of “was” in literary works. Its passivity robs sentences of story impact. The common advice is that writers conduct global search and destroy missions to rid writing of those three letters in favor of...
Sustaining Tension in Fiction

Sustaining Tension in Fiction

Michael J. Coffino shows how to keep your readers glued to the page by cranking up the tension. From cliffhangers to character conflict, he shares tips every writer can put to work right away. At a writer’s workshop, my feedback in response to a student reading of a...

How Much Disbelief Should Novelists Suspend?

The novel opens in the kitchen of a New York City tenement. The husband has returned after an exhausting day manning a newsstand in frenetic Penn Station expecting to decompress first with a cold beer and then a homecooked meal. Instead, he finds his wife seated at...

Hush, Hush, Sweet Ghostwriter!

I have in the past written and spoken about what I believe are the keys to being an effective collaborative writer, aka a “ghostwriter.” They include crafting the client writing voice; building trust within the collaborative relationship; knowing how to ask, when to...

Book Promotion Interviews

Book promotion is relentlessly exhausting. It requires constant attention, patience, and tons of industry. The challenge is especially exacting if you embark on a campaign of radio interviews and podcasts. Whether they are worth the time and effort is open to debate,...